Bettina Marx works primarily in drawing and painting. In her work, she explores how interiority and exteriority, nature and architecture, overwhelm one another, forming new connections, and creating permeable relationships. Mimicking this, her constructed images—composed of thin fabrics, paper, and wood—occupy a middle distance between macro- and micro-levels. From far away, her assemblage-like works evoke a sense of large, sweeping movement; up close, they reveal granular layers and ornate motifs underscoring the constructed quality of her images.
This reflects a creative process less oriented towards individual works and more invested in spatially constellating situations that forge novel relationships between painting, surface, and architecture. Working intuitively rather than in accordance with a fixed plan, Marx starts by collecting, drawing, or printing in outdoor conditions and then continues indoors within her studio. Incorporating found elements—bark, sticks, fragments of ceramics—the images that emerge are generally inspired by landscapes and dwellings. These elements may behave unpredictably within a work, shifting, settling into wet paint, or holding and loosening over time, so that the association between whole and parts remains active rather than fixed.
In exhibitions, Marx paints also directly onto walls or engages with the architectural dimensions of a space. A room or gallery is not a neutral container but becomes integral to a work. Rather than hanging pictures or presenting discrete objects, Marx is interested in building up rooms—almost like a space the viewer can walk into. These immersive situations recreate the experience of being inside a storied environment—a mood, a place—nearer to lived experience than a static display. Such spaces draw in and guide the viewer—compelling them to stand more upright or bend down, inviting them to sit, or even momentarily to hide and disappear.
Suspended, almost invisible fabrics extend this spatial logic. In her current work, Marx pushes this further through very delicate fabric pieces where color appears to float across a nearly undetectable surface, while painted threads simultaneously structure, guide, and hold these compositions in place.

Bettina Marx
Lull
2024
Acrylic on paper
250 x 200 cm

Bettina Marx
Fimeh
2024
Acrylic on woodenbox
30 x 20 cm


Bettina Marx
Nachwa (17 a&b)
2023
Ink on paper
each 21 x 29 cm
Bettina Marx
b. 1981 in Bonn, Germany
Lives and works in Bonn, Germany
EDUCATION
2009
Studies with Prof. Peter Doig, Kunstakademie Dusseldorf
Master student Prof. Cornelius Völker
2002-2008
Studies with Prof. Cornelius Völker, Kunstakademie Münster, Germany
SELECTED SCHOLARSHIPS
2018
Individual travel Scholarship of the state NRW for Sweden
2015
Sponsorship Award of the state of NRW
2009
Max Ernst Scholarship Sponsorship
2007
Cité Internationale des arts, Paris, France
SELECTED SOLO EXHIBITIONS
2025
-6, tiefkeller, Bonn, Germany
2024
A Siren’s Lull, POV contemporary x DOD Gallery, Cologne, Germany
2022
tiefkeller, silver skin, Museum Haus Operdicke, Unna, Germany Wander, drift, melt and fold, Fullersta Gård, Stockholm, Sweden
2021
-5, tiefkeller, Bonn, Germany
siblings, Kunststation St. Peter, Cologne, Germany
2020
Eden, Galerie Goldstein, Frankfurt, Germany
-4, tiefkeller, Bonn, Germany
2019
A solid into a liquid, Setareh, Dusseldorf, Germany
2018
Trommelnde Scherben, Kunstverein Leverkusen, Germany
2017
Flora war Falk, Museum Ostwall, Dortmund, Germany
Moving findings, Kunstverein Neukölln with Kristina Berning, Berlin, Germany
-3, tiefkeller, Bonn, Germany
2016
Nirgendsland, Gudberg-Nerger, Hamburg, Germany
-2, tiefkeller, Bonn, Germany
Polter, The Same, Berlin, Germany
-1, tiefkeller, Bonn, Germany
2015
Leftovers, Kunstverein Emsdetten, Emsdetten, Germany
0, tiefkeller, Bonn, Germany
2014
Brahn, Artothek, Cologne, Germany
Im Fenn darling, RWE, Dortmund, Germany
2013
Engawarau, Kunstverein Arnsberg, Germany
2012
Eine teilweise alte Frau, Center, with Christine Moldrickx, Berlin, Germany
2011
The Zigzagroom, Galerie Pictura, Malmoe, Sweden
with Daniela Neuhaus Les jours de rat, Sammlung Philara, Dusseldorf, Germany
SELECTED GROUP EXHIBITIONS
2026
Klassenverhältnisse – die zweite Staffel, Kunsthaus NRW Kornelimünster, Aachen, Germany
2024
BOOBS Now №1, 2024, POV contemporary x Galerie Philipp Anders, Leipzig, Germany
2023
Entropic Motion, Galerie Andreae, Bonn, Germany
Art au Centre Liege #13, Liége, Belgium
Jubiläum, Kunstverein Emsdetten, Emsdetten, Germany
2022
Elective Affinities, Setareh, Dusseldorf, Germany
2020
Jubel, jubel es rolle der rubel, tiefkeller, Bonn, Germany
Heaven and Earth in one Stroke, Setareh, Dusseldorf, Germany
2019
Die neue Frau, Haus Opherdicke, Unna, Germany
2018
Enga mind your head, Collection Presentation, Kunstmuseum Bonn, Germany
Ciao, Strizzi, Cologne, Germany
2017
Good News, Kunstverein Ahlen, Germany
2016
Pavillion, Villa Tomana, Firence, Italy
Cornelius Völker & Master student, Lippischen Gesellschaft für Kunst e.V., Lemgo
That‘s how the light gets in, Kunsthaus NRW Kornelimünster, Aachen, Germany
2015
Paper V, Clement and Schneider, Bonn, Germany
2014
Secret Land, Orangerie, Rheda-Wiedenbrück, Germany
2013
Art since 2013, Schloss Ringenberg, Hamminkeln, Germany
5 x 3, Kunstraum Dusseldorf, Germany
Here is always somewhere else, Kasteel Oud-rekem, Belgium
2012
Bis hier, Kunstmuseum Bochum, Germany
2011
Roter Milan, Ausstellungshalle Hawerkamp, Munster, Germany Die Sao Paulo Biennale, MAP, Dusseldorf, Germany

A–Z. Kunst in NRW 2000–2023.
Sammlung Kunsthaus NRW. pp. 240-1.

NAM, 2017
Flora war Falk, Bettina Marx, Museum Ostwall Dortmund, Germany
With texts by Prof. Dr. Anne-Marie Bonnet, Regina Selter
Verlag Kettler, Dortmund, 2018
ISBN 978-3-86206-699-5
VG Bild-Kunst Bonn

Trommelnde Scherben, 2018
Kunstverein Leverkusen, Germany
With a text by Susanne Wedewer-Pampus